Egg tempera and gilding on panel, about 30 x 100 cm
Assignment: produce a copy of a historical painting, using the original techniques.
This painting was the lab project for my Historical Techniques course at York University. It is done almost entirely with authentic materials and techniques (the exception being the panel itself, which is 3/4 inch marine plywood). The actual image is not done too well, in part because I only had small reference photos to work from.
The panel is coated with gesso made from gypsum powder and rabbit-skin glue. I now know more about rabbit-skin glue than I ever wanted. The paintwork is done in the historical method (naturally) of a monochrome shading layer with a color wash over it; the gilding is real gold leaf, and the professor told me that I had more than gotten back my studio fee with all the gilding on this piece.
While doing research on the techniques, I read a Renaissance painting manual which stated that rotten egg yolks work better for painting than fresh. Much to my chagrin, I discovered that this was true. My school bag smelled rather odd for that semester. Since egg tempera dries so fast, it has to be done with a very small brush. This entire painting was done with a #0 sable round brush.